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《荣耀六十年》剧情介绍
由Herbert,Wilcox执导、汇聚Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla等优秀演员阵容的荣耀六十年，将1938 年度英语 语系与 英国 文化完美交融，带来一场与众不同的视觉和听觉盛宴。
值得一提的是，该片在上映后迅速收获了平均分更是高达6.0。这都印证了影片优秀品质与广泛认可度。
影片所呈现的Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star仅仅是个引子，真正的故事魅力还需从Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor中细细品味——不论是扣人心弦的剧情设计，还是对于人性、情感、社会话题的探讨，都给人留下颇为深刻的印象。同时，导演在幕后方面也注入了大量巧思，让整部作品更加耐人寻味。
如果你对电影 或 剧情 题材情有独钟，《荣耀六十年》无疑是一个不容错过的选择。欢迎走进它的世界，感受时长约的宏大篇章，在这里，你将邂逅惊喜、震撼与思考。
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